Because Everything Here is a Brightness (from Verse Daily)
Frontier(s) (from Portland Review)
Catalogue Beginning with a Line from Marcelo Hernandez Castillo (from Colorado Review)
act of contrition (from Breakwater Review)
Goodbye Horses (reprint from Verse Daily)
My American Ghost (reprint from Verse Daily)
sky burial (from Solstice)
At This Table We Sing With Joy, With Sorrow (Vivian Shipley Contest Winner)
sky burial I & sky burial II (from Waxwing)
arbor {before & possibly after} (from Pacifica Literary Review)
Jean-Michel Basquiat // Harriet Tubman (from Dialogist)
Self-Portrait of Public Crucifixion (from Sepia Journal)
Two poems (from The Museum of Americana)
I Tend to See Love as an Absence of Context (from Jet Fuel Review)
Two Poems (from The Fourth River)
Miscarry and Prometheus // Trayvon Martin (from The Adirondack Review)
Anatomy of Morning (from Coal Hill Review)
Two Poems (from North Dakota Quarterly)
Sisyphus // Roger Ailes (from New Statesman)
Conquistador (from EX/POST)
Counterglow (from Verse Daily)
Transcontinental (from Epiphany)
The Peaches (from The Shore)
Acolyte (from Cider Press Review)
Origin of Topography (from Bracken)
Youthful Offender (from Trailer Park Quarterly)
Two poems (from Monday Night)
Charcoal Nude (from Bryant Literary Review)
Picture Day (from Verse Daily)
What I Tell Them (from Crab Creek Review)
In the beginning the bodies were too soft (from American Literary Review)
Three Poems (from Cultural Weekly)
Three Poems (from The New Guard)
The Gift (from American Poetry Journal)
Meadowslash (from American Poetry Journal)
Three poems (from Free Verse)
No Hands (from Mason Street)
Study of a Country in Autumn (from Sixth Finch)
Summon (from Juxtaprose)
Two poems (from The Bellingham Review)
Encroachment (from Ruminate Magazine)
Awayland (from The Cortland Review)
Not really a father (from The Maynard)
Uncoordinated Efforts (from DIALOGIST)
Two Poems (from Willow Springs)
Two Poems (from Grey Sparrow Journal)
Birds of Prey and Self-Portrait as Travelogue (from Baltimore Review)
All We Ever Wanted Was Everything (from Apricity Press)
Brat (from Rapphannock Review)
American Bounty (from Arkana)
Cicadas in Winter (from Radar)
Six poems (winning poems from COG’s 2019 Poetry Awards)
Two Poems (from Cascadia Magazine)
Interlude (from Passages North)
Open Season (from Up North Lit)
Brevity (from Pacifica Literary Review)
Winter Bazaar (from Small Orange)
Five Poems (from Puerto del Sol)
Untitled {Homescape} (from Bellingham Review)
At Bay (from Tupelo Quarterly)
Three poems (from Collateral)
Two poems (from Virga)
Three poems (from Sequestrum)
Two poems (from Arcturus)
At the Wrist (from Juked)
Two poems (from Western Humanities Review)
Three poems (from New Orleans Review)
Two poems (from Figure 1)
Two poems (from Green Mountains Review)
Self-Portrait with Mojave (from Valparaiso Poetry Review)
Sediment (from Isthmus)
On Being Told: You Must Learn to Love the Violence (from The Yale Review)
On Being Told: You Must Learn to Pray (from The Yale Review)
Six poems (from Posit)
Suburban Liturgy (from Isthmus)
Two poems (from concīs)
Three poems (from Angry Old Man)
Salvage (from Solstice)
Two poems (from The American Journal of Poetry)
On Being Told: White is a Color Without Hue (from Cream City Review)
Bad Water (from Prairie Schooner)
Closure (from The Massachusetts Review)
Landscape without Crows (from Tampa Review)
Star Count (from Minnesota Review)
Death is a Work in Progress (from Redivider)
Restoration (from The American Poetry Journal)
The Children (from Cleaver Magazine)
Imprint (from Thrush)
Two poems (from Aquifer: The Florida Review online)
Two poems (from Commonweal)
Three poems (from Watershed Review)
Inventing Fire in Northern Michigan in December (from Contrary)
The World in Reverse is Still the World (from The Cortland Review)
Two poems (from Los Angeles Review)
Back when you were a country (from Vinyl)
A Brief History of the Perfect Storm (from Poetry Northwest)
The House Winter Built (from Baltimore Review)
Fog (from American Literary Review)
We Can Make a Home of It Still (from Construction)
Understudies (from Alaska Quarterly Review)
Four poems (from Sequestrum)
Bestiary (from Tupelo Quarterly)
Summer Boys (from The Adroit Journal)
Three poems (from Matador Review)
Like Something to be Looked Back on, Fondly (from Thrush)
This Place of Scraps (from Construction)